Opening the Portal - Composition Screencast - Part 9
In this part, I start from the beginning of the piece to refine and work on the details.
2021-11-29 09:20:27 +0000 UTC View Post
In this part, I start from the beginning of the piece to refine and work on the details.
2021-11-29 09:20:27 +0000 UTC View PostIn fall of 2019, I was switching to Dorico and in order to get to know the software, I spent some time writing three little Christmas tunes just for fun. I have made the mockup as well as the Dorico files available 2021-11-27 17:16:27 +0000 UTC View Post
I consciously and willingly decided to slow down or even sabotage my own career. At least according to a few composers and mentors that I was talking to during my early years of pursuing this career. And they might have been right. From my current...
2021-11-26 08:35:18 +0000 UTC View PostI would be interested in what role music plays in your life outside of musical work. Check all that apply.
2021-11-24 10:01:06 +0000 UTC View PostWith all the previous parts of this series it has become relatively obvious that successful (re)harmonisation strategies don't need to be complicated. In fact, strikingly simple strategies can have a huge impact. Additionally, complex sounding har...
2021-11-22 09:33:23 +0000 UTC View PostDue to popular demand, here is the score sheet for my arrangement of ENJOY THE SILENCE that I wrote for Lucy Kay. Here it is important to say that this score is ONLY for study purposes.
A few additional elements like epic percussion and synt...
2021-11-19 08:48:20 +0000 UTC View PostBeing a self employed composer for media often means to spend a considerable amount of time in answering emails, phone calls or messages as well as book keeping and many other non-musical things. How do you fit those into your daily work routine? ...
2021-11-17 09:41:05 +0000 UTC View PostWhen working on music for several hours without break it is a relatively common problem for many composers to start to suffer from ear fatigue. You start to hear things that are not there or start to not hear things that are obvious problems. Espe...
2021-11-15 08:52:43 +0000 UTC View PostHere is the second part of the walktrough of the mockup of my piece PIRATE WATERS that I recently posted. In this part, I talk about signal paths, effect...
2021-11-12 09:55:08 +0000 UTC View Post(at a level where you at least can play some easy etudes on it)
2021-11-09 13:54:25 +0000 UTC View PostIn the last part, we were having a look at the acoustic properties of concert halls and traditional seating charts of symphony orchestras. The reason why I focus that much on this topic is that film scoring has a fundamentally different target in ...
2021-11-08 10:15:19 +0000 UTC View PostA few days ago, in a relatively large Facebook group about composing for media, a fellow composer posted the following provoking text:

The discussi...
2021-11-05 08:02:10 +0000 UTC View PostOne of my patrons was recently posting on social media that he was following some of the things that I have been talking about on here regarding mix/template etc. transfering that into his template and also mentioning that he took down some of his...
2021-11-03 18:22:55 +0000 UTC View PostThis is something that I have been wondering about for a while. Tried to cover as many options as I think might exist but I'm pretty sure there are specifics for everybody so don't hesitate to use the comment section. Check all that apply.
2021-11-02 13:24:44 +0000 UTC View PostHere's my second piece from our first ORCHESTRA DISCOVERY SESSION, which we recorded in early September in Prague. This one is a more "dissonant" piece with some frantic and virtuosic passages throughout. It was great fun recording that.
The...
2021-11-01 08:19:58 +0000 UTC View PostEven though it has only been a few weeks since I came back from vacation, it seems like ages ago. The downside of being self employed is that whenever you go on vacation, on your return all the things you ignored for that time will pile up. So I w...
2021-10-31 09:24:25 +0000 UTC View PostIt has been a while since we were looking at this piece but here finally is the eighth part of the series where I finish sketching the piece and move back to the beginning to start the detail work.
2021-10-29 08:14:23 +0000 UTC View PostPianos are dissonance amplifiers. Period. This is something that took me years to actually fully realize as I thought that simply a dissonance is a dissonance is a dissonance. But they are not as everybody who compares for instance dissonant sound...
2021-10-25 08:19:52 +0000 UTC View PostEverybody has been saying that James Horner reused his "Danger Motif" over and over again in many scores (which by the way he defended in one interview as one of h...
2021-10-21 09:24:39 +0000 UTC View PostI'm back from a wonderful vacation and well rested as well as still under the impression of having seen John Williams conduct the Berlin Philharmonic a few days ago so there definitely is enough enthusiasm to pick it up again here.
And with ...
2021-10-18 08:06:45 +0000 UTC View PostI am still on vacation but wanted to interrupt my silence to let you know about this release.
When Lucy Kay asked me to arrange and produce her new album and told me she wanted it to be called DARK ANGEL, I was very excited. We wanted to go...
I know I'm a bit early for a wrap-up this month but there's a reason for this and it's something that hasn't happened since I started this Patreon: I'm going on vacation. So for the next 2 weeks, there's probably going to be a bit of radio silence...
2021-09-28 09:25:39 +0000 UTC View PostHere's the first recording from our Orchestra Discovery Session from a few weeks ago. I wrote two pieces for this session. For this one, I wanted to write a quite emotional piece that captures the beautiful tones of the woodwind quintet. We record...
2021-09-27 08:51:22 +0000 UTC View PostWhen we talk about film orchestration, we also need to take things into consideration that are different compared to traditional orchestration.
Probably the biggest difference lies in the fact that traditional orchestration usually targets a...
2021-09-24 07:44:17 +0000 UTC View PostOne thing that you do a lot when you record real ensembles is to dig in Protools sessions through individual mic signals. Even if you outsource the editing/mixing to someone else, you will most likely still listen through individual takes and even...
2021-09-21 08:12:08 +0000 UTC View PostIt has been a week since we returned from Prague from our first Orchestra Discovery Session. By now, most composers have edited and mixed their tracks already and we have been discussing and critiqueing mixes and edits in the group channel on Disc...
2021-09-17 14:09:48 +0000 UTC View PostThis is the start of a new series where I want to dive into musical devices that we keep seeing (and hearing) in film scores and that define a certain sound or a certain genre. This can be little orchestration decisions or composition approaches t...
2021-09-17 08:22:53 +0000 UTC View Post